Kisapmata is a Filipino horror film by director Mike De Leon that was released in 1981. The film follows tatang, a retired police officer who learns that his daughter intends to marry her co-worker, much to his dismay. After forcing the couple to live in his home, Tatang grows irrational and dangerous, leading his daughter to fear for her new family's lives. Kisapmata serves as a powerful social commentary on the toxic nature of familial authority, psychological manipulation, and the pervasive culture of fear in Filipino households, highlighting the destructive impact of oppressive relationships on individual freedom and mental health. The film explores themes of control,fear, and trauma.A patriarchal system within the household reinforces the father to have full control over everything including decision making, gender biases, and domestic abuse.
The damaging effect of a repressive household and the crushing grip of patriarchal authority are both explored in the movie Kisapmata. The narrative centers on a father named Isagani who develops feelings for the stunning character Lourdes, portrayed by Charito Solis. The conflict between them intensifies to the point of irreversibility when Isagani discovers his father's harmful influence, and the father's power takes center stage. The film emphasizes the protagonists' sense of being trapped in their situation by using close-ups and tight framing during confrontations to heighten the claustrophobic effect. As an example of how power dynamics distort love and intimacy, Isagani's relationship with Lourdes, which at first glance seems innocent, turns into yet another instrument of his father's manipulation. The phrase "in the blink of an eye" suggests how rapidly.
Kisapmata is a powerful, unsettling film that continues to be relevant because it touches on universal themes of control, manipulation, and the long-lasting effects of emotional abuse. It forces the viewer to confront uncomfortable truths about power dynamics within the family and society, making it an essential piece of Philippine cinema.Kisapmata serves as a powerful social commentary on the toxic nature of familial authority, psychological manipulation, and the pervasive culture of fear in Filipino households, highlighting the destructive impact of oppressive relationships on individual freedom and mental health. Yes, Patriarchal systems and Gender inequality still exist in Our societie, though their manifestations can vary widely across cultures and contexts. things are the say there are because they have to be ,that they have always been that way, that there are no alternatives and that they will never change.
REFERENCES
Quino de Manila (2012) THE HOUSE ON ZAPOTE STREET
Retrived from https://riodelacruz.weebly.com/the-house-on-zapote-street/the-house-on-zapote- street
Drew Serres (2014) What Patriarchy Persists and how we can change it
Retrived from https://organizingchange.org/patriarchy-persists-can-change/ We Can Change It) - Organizing Change
No comments:
Post a Comment